Matthew Pillsbury / Photographe
Matthew Pillsbury est un photographe américain, né le 25 novembre 1973 à Neuilly-sur-Seine. Après des études à l’Ecole alsacienne, à Paris, il rejoint l’Université Yale puis la School of Visual Arts de New York, ville dans laquelle il vit actuellement. En 2007, il est lauréat du Prix HSBC pour la photographie pour sa série Screen Lives dans laquelle il prend des clichés éclairé de la seule lueur d’un écran de télévision ou d’ordinateur.
Hanami #5, Chidorigafuchi /2014
Hanami #15, Chidorifugach / 2014
Hanami #18, Shinjuku Gyoe / 2014
Daibutsu / Kotoku-in Temple, Kamakura / 2014
Grand Palais des Glaces, Paris / 2014
Vermeer’s The art of painting / Vienna Kunsthistorisches Museum / 2014
Goya’s Duchess of Alba / “Goya- Order and Disorder” / Museum of Fine Arts, Boston, 2014
La Joconde / Salle des Etats, Le Louvre / 2008
For over a decade, Pillsbury has made long exposure photographs using only available light. Across several series and in many cities, he has focused on the passage of time and people within spaces both public and private. His work has addressed the growing role that technology is playing in our lives and the sense of modern seclusion that can seem at odds with the constant connectivity being offered by our smartphones and tablets. Millions of people file through the streets and subways of Tokyo – the world’s most populous megalopolis – and yet it is often done silently, with each person quietly interacting with their gadgets. That disconnect is at the very heart of so much of our modern existence and deeply imbedded within Pillsbury’s oeuvre. Technology use, as it has in much of the world, has increased exponentially in Tokyo, latching itself onto everything from modern-day cell phone-obsessed geisha women to the ultra-hip neighborhood of Shinjuku, where themed clubs and bars now include high-tech robotics as a featured part of the entertainment. Expecting to encounter the kinetic energy depicted in the William Klein and Andreas Gursky photographs of the Tokyo Stock Exchange, Pillsbury arrived to discover that the once buzzing trading floor is now run in almost unnerving stillness by computers. While the temples are still revered and deeply respected places of worship, pop culture and rebellion amongst Western-obsessed Japanese youth have crept irreversibly in, forcing sacred and traditional sites to share cultural importance with modern Manga robots and Disney castles. To capture this shifting energy and some of the surreal scenes he encountered, Pillsbury has started making color photographs and using much shorter exposures. Pillsbury moves freely within the vibrant pockets of buzzing Tokyo allowing him to contend with what for him has been a career long fascination with technology, alienation and who we are becoming armed with our electronic tools.
Press release / BENRUBI GALLERY
© tous droits réservés